So why did Canada cave to the U.S. on copyright?

If there were any remaining doubts about the role that the United States has played in convincing Canada to change its position on how to implement the World Intellectual Property Organization Internet treaties, last week’s dump of the remaining (unredacted) Wikileaks cables pretty much puts them to rest. Michael Geist, as always, has a comprehensive rundown of some of the most interesting pieces of the puzzle, with links to the original cables.

These cables seem to confirm that the push to follow the U.S. position on technological protection measures came straight from the PMO, acquiring some degree of urgency along the way. Consider the different mandate letters for Maxime Bernier (shuffled out of Industry in August 2007) and his successor, Jim Prentice (mandate letters are the Prime Minister’s marching orders to his ministers).

Maxime Bernier’s (as recounted to me by his chief of staff and reported in my dissertation):

It is important that you and [Canadian Heritage] Minister [Bev] Oda proceed with work ensuring that our intellectual property regime is modernized and among the best in the world. Any delays on this file may put Canada’s international reputation at risk. In particular, I ask that you and your colleague focus on developing amendments to the Copyright Act that will bring the 1996 WIPO Internet treaties into force.

Meanwhile, here’s the sense of Prentice’s mandate letter, via the Wikileaks cable:

[Privy Council Office analyst Ailish] Johnson and other sources report that Jim Prentice, the newly-appointed Minister of Industry and Josee Verner, the newly-appointed Minister of Canadian Heritage were asked by the Prime Minister to introduce a copyright bill and implement the WIPO internet treaties before the end of the calendar year. (emphasis added)

So we know that the Conservative government acquiesced to U.S. pressure on TPMs, but that really just raises the question of why, and why on this issue?

The answer is not straightforward. It doesn’t seem to be a wholly partisan issue. If you compare the Conservatives’ copyright bills with the Liberals’ 2005 attempt to implement the treaties, you’ll find that while the Conservatives reversed the Liberals’ “minimalist” approach to TPM protection in favour of the United States’ “maximalist” approach, other parts of the Conservatives’ bills mirrored the Liberal approach, notably enshrining a “notice and notice” approach to ISP liability. And don’t forget: the United States and the content industries also lobbied against notice and notice.

The change doesn’t seem to have come from the bureaucracy. As Simon Doyle notes in his book on the 2005 debate, civil servants eventually came around to the view that the U.S. approach to TPMs was bad policy. I’m pretty sure the basic policy issues didn’t change at all between 2005 and 2006, when the Conservatives came to power.

So why the Conservative reversal on TPMs? I can only make informed guesses, but I think there are two main possibilities. (If anyone thinks I’m wrong, or missing something, please let me know.)

First, that the United States successfully linked copyright reform (an issue that Canada doesn’t really care that much about) to something that Canada does really care about, like cross-border trade and U.S. market access. Copyright was discussed by the two countries in the context of the 2007 Montebello summit, and Canadian officials tried to link copyright reform to regulatory reform, but the United States didn’t seem to be biting on that last one. I can’t tell from the Wikileaks documents or anything else I’ve come across whether a credible linkage was made.

That leaves us with an intriguing possibility, which is that the Conservatives saw dealing with TPM protection as an easy way to keep the Canada-U.S. relationship on an even keel. The key to this argument is remembering that in 2007, the Conservatives saw copyright as a technical, largely apolitical issue. Moreover, it was obviously clear to Prime Minister Stephen Harper that copyright was very, very important to the United States.

Canada already had (has) an informal notice-and-notice regime, as well as a politically connected and economically powerful telecommunications industry, so reopening that debate would cause no end of heartache. But there was no strong, organized constituency that would hurt the Conservatives at the polls. Following that logic, one can see the appeal of adopting the preferred U.S. policy. Particularly if one’s governing style is not overly concerned with a policy’s actual outcomes (see Brodie, Ian and the GST; the Insite supervised drug injection site; eliminating the mandatory long-form censusgetting “tough” on pardons; building new prisons in the face of an ever-declining crime rate).

Of course, the intended introduction of the Conservatives’ first copyright bill in December 2007 just happened to spark the first successful social-media-based grassroots political protest movement in Canada, and arguably one of the first significant ones in the world (Obama’s grassroots campaign didn’t really take hold until 2008). And yet the government strategy to deal with this outpouring of concern was to focus on messaging, rather than on changing the fundamentals of their preferred policy option.

If I’m right, the Conservatives followed the U.S. lead on TPMs either because they wanted something else from the United States (in which case I’d love to know what we got in return so I can look at the cost-benefit of the decision). Alternately, they could believe, going against the view of their departments, that a maximalist approach to TPMs does make sense for Canada. Or they thought that copyright wasn’t an issue that mattered to most Canadians, so why not do it?

In this view, the United States’ policy was on one side of the table, and Canadian popular opinion (expressed in the Summer 2010 consultations) and good policy (in the view of civil servants, as reported by Doyle) were on the other. And so, this being politics, a choice was made.

Posted in Canada-US relations, Canadian copyright, Facebook activism, WikiLeaks | Comments Off on So why did Canada cave to the U.S. on copyright?

Welcome to my new home!

After a couple of years using blogger, I’ve decided to switch hosts to wordpress. I’ve found it easier to use and customize. For anyone who’s interested, you can check out my publications and CV. I’ll also have a copy of my dissertation up later. (I know, I know: it’s like Christmas came early this year!)

I’m still trying to figure out the best way to redirect people to the new blog, so if anyone has any suggestions, please drop me a line at orangespaceb at gmail dot com.

Posted in Uncategorized | Comments Off on Welcome to my new home!

"Don’t let them tell you it can’t be done"

Canadians today are rightly focusing today on Jack Layton’s legacy of optimism and integrity, and his inspiring, transcendent and completely heartbreaking final letter to Canadians. His letter, which I find difficult to read straight through right now, cannot be praised highly enough. Its call to justice and service, and focus on creating a better future for all Canadians, convey a forward-looking sense of what it means to be Canadian better than pretty much anything I’ve read in my lifetime. We could all do a lot worse than to aspire to the goals and vision of Canada toward which Layton urges us here.

We Canadians have, I think, a tendency to treat our history lightly. I hope that this letter is remembered for decades to come. Fortunately, if my Facebook feed is anything to go by, we won’t be forgetting it anytime soon.

For me, what I’ll remember is Layton’s willingness to stake out policy positions because they were
the correct policies, even if they were unpopular. The most obvious example of this was Layton’s observation that negotiations with the Taliban in Afghanistan were inevitable. For that, he was labelled by Conservative MPs and other right-wing critics as “Taliban Jack,” essentially calling him a traitor. Everyone might be calling him “Smiling Jack Layton” today, but Google hits for “Taliban Jack” Layton outnumber those for “Smiling Jack” Layton by 2 to 1.

Of course, it turned out he was right, as the Conservative government eventually acknowledged, in actions if not in words.

I also admired how he balanced principle with pragmatism. When he was president of the Federation of Canadian Municipalities, I saw his presentation to the House of Commons Finance Committee, for which I worked as an analyst. I had read about how, as a Toronto City councillor, he would deal with anyone to advance his (concrete) policy goals, but I remember being particularly impressed at how down-to-earth, reasonable and doable his policy objectives were. They responded to a pressing need (in this case housing) that would make life demonstrably better for disadvantaged Canadians.

And he was willing to do what it took to get policies enacted. As Toronto Councillor Norm Kelly commented, “I think Jack’s strength was if he couldn’t win you over on an issue 100 per cent, he would settle for 75 or 50 to advance the issue, and he’d do it with a smile.”

With that combination of commitment to social justice, willingness to compromise and understanding of what really matters to Canadians, I was very happy when Layton ran for the NDP leadership, and even happier when he won. From my outsider’s perspective, he set the NDP on exactly the right course needed to be relevant to the needs of Canadians in the 21st century.

In his final letter to Canadians, Layton urges all Canadians to “consider that we can be a better, fairer, more equal country by working together. Don’t let them tell you it can’t be done.” Layton’s life was a testament to this spirit. Now that he’s gone, it falls to the rest of us to continue his work, no matter the odds.

Posted in Jack Layton, NDP | 1 Comment

The Sky Isn’t Falling? Dwayne Winseck Gives Us Some Much-Needed Perspective on Canada’s Media Economy

I’m kind of awestruck by Dwayne Winseck’s latest post, “The Growth of the Network Media Economy in Canada, 1984-2010.” Maybe I’m reading the wrong people, but it has to be one of the most substantive blog posts I’ve ever come across. Read it for yourself, but basically Winseck has created a new dataset in order to estimate the size of the Canadian media economy. My work only focuses on a subset of that economy (copyright), but it’s certainly true that Canadian communication policy seems to be driven more by anecdote and political argument than by what some might call “evidence.” Winseck’s findings themselves are pretty fascinating:

  • Canada has the ninth-largest “media economy” on the planet.
  • Far from decimatting the media economy, digital technologies have contributed to a boom in this sector.
  • Between 2000 and 2008, all parts of the media economy grew, except music and newspapers.
  • The picture looks bleakest for newspapers, but even here ad revenue and readership rose in 2010.
  • Even the (slight) decline in the music sector may not be that significant (in a policy sense), as production and distribution costs have also declined.

Putting it all into perspective:

This should serve as a bit of a reality check for those all-to-ready to accept that the television, music, newspaper, or book industries are teetering on the brink of calamity at the slightest whiff of troubles on the horizon, i.e. ‘cord cutting’, increased subscriptions to Netflix, or drop in advertising revenue. For two recent examples, see here and here. Just for the sake of argument, even if Netflix gets $8 per month for each of its million subscribers in Canada, that’s $96 million dollars a year in revenue, or .6 percent of the total for all segments of the television industry. Of course, that’s nice if you can get it, but it is a mere drop in the Canadian television bucket, and hardly worth revamping the rules for, as many entrenched interests would like the CRTC to do.

Indeed. Winseck’s work won’t banish interest-driven policy reform from the halls of government, but policymakers now have one less excuse for getting it wrong.

Posted in evidence-based policymaking | 1 Comment

Low Stakes in the Access Copyright Fight: $175 per author per year

DC Reid, over at Creators’ Access Copyright, responds to John Degen’s full-throated defence of Access Copyright (covered here and here), by reminding us what is at stake for creators in the whole Access Copyright-universities battle royale. In short, not very much. In numbers, a baseline payment of only $175 per author per year, or 10% of total revenue:

Writers get a small payment from the repertoire class. Last year the baseline was $175. That’s all. This does not comprise meaningful income. 80% of writers got less than the previous year’s baseline of $612, also a figure that does not comprise meaningful income.

In terms of policy battles, this doesn’t look like the type of hill worth fighting for. If you’re a writer.

Posted in Access Copyright | Comments Off on Low Stakes in the Access Copyright Fight: $175 per author per year